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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="research-article" dtd-version="1.2" xml:lang="en">
  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Dostoevsky and World Culture</journal-id>
      <journal-title-group>
        <journal-title>Dostoevsky and World Culture</journal-title>
      </journal-title-group>
      <issn publication-format="print">2619-0311</issn>
      <issn publication-format="electronic">2712-8512</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/2619-0311-2024-4-90-116</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Crocodiliada by Fyodor Dostoevsky: Genesis and Evolution of the Theme</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Elena Yu. Safronova</surname>
          </name>
          <email>fedor@dostmirkult.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <pub-date pub-type="pub" iso-8601-date="2024-12-25" publication-format="electronic">
          <day>25</day>
          <month>12</month>
          <year>2024</year>
        </pub-date>
      </pub-date>
      <volume>1</volume>
      <issue>4</issue>
      <fpage>90</fpage>
      <lpage>116</lpage>
      <kwd-group xml:lang="en">
        <kwd>Dostoevsky</kwd>
        <kwd>satirical novel</kwd>
        <kwd>“The Crocodile</kwd>
        <kwd>” auto-parody</kwd>
        <kwd>Altay Museum of Local Lore</kwd>
        <kwd>F.V. Gebler</kwd>
        <kwd>P.P. Semenov (Tien Shanskiy)</kwd>
      </kwd-group>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>The article examines the genesis of the titular metaphor in Dostoevsky’s satirical work “The Crocodile” and proposes a hypothesis that one of its sources lies in the author’s Siberian experiences — specifically, his visit to the Museum of Local Lore in Barnaul in 1856–1857. During this visit, Dostoevsky got to know the story about the museum’s founder, F.V. Gebler, and observed a rare exhibit of the time: a stuffed alligator crocodile. This, along with the broader natural science context of Dostoevsky’s Siberian period, found a new cultural resonance in St. Petersburg in 1865, when live crocodiles were displayed in the Passage by a German showman. The fantastic elements of the comic tale emerge as an interplay of these Siberian and St. Petersburg impressions, Old Testament and literary allusions, and a narrative strategy of self-parody. Contrary to traditional interpretations that identify N.G. Chernyshevsky or Saltykov-Shchedrin as the figure represented by “a certain gentleman of a known age and known appearance,” this figure could be, in fact, a veiled caricature of Dostoevsky himself. The image of Athanasius Matveyevich reflects traits of self-parody: a preoccupation with literature, confidence in a brilliant career, references to Socrates and Fourier, egotism, dreams of traveling abroad, and the frivolous behavior of a seemingly promising individual — all cryptically satirize Dostoevsky’s autobiography. The article also proves the internal thematic and f igurative kinship of the writer’s comic texts: the tales Uncle’s Dream, “The Crocodile” and the novel The Village of Stepanchikovo and its Inhabitants.</abstract>
    </article-meta>
  </front>
</article>
