| AUTHOR(S) |
TITLE |
PAGES |
| Tatiana Kasatkina |
Dostoevsky: Shared Christian Symbolism, Conceptual Structures in Literary Texts, the Role of Translations in Reading History, and Reception in the 20th and 21st Centuries. From the Editor |
19-27 |
| |
HERMENEUTICS. SLOW READING
|
|
| Tatiana Kasatkina |
About the Trembling Creature in Crime and Punishment |
28-45 |
| |
POETICS. CONTEXT
|
|
| Nikolay Podosokorsky |
Fyodor Dostoevsky and Hieronymus Bosch: The Haywain in the Novel Crime and Punishment |
46-88 |
| |
DOSTOEVSKY: HIS READINGS
|
|
| Albina Bessonova |
Pushkin and Walter Scott in the Context of Dostoevsky’s Child’s Readings |
89-122 |
| Tatiana Boborykina |
The Queen of Spades. Codes of Plastic Visuality |
123-154 |
| |
BIOGRAPHY
|
|
| Marina Zavarkina |
Fyodor Stellovsky, Publisher of Fyodor Dostoevsky: Character and Destiny |
155-196 |
| |
DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES
|
|
| Svetlana Koroleva |
Dostoevsky’s “Pushkin Speech” as the Archetext of English Pushkin Studies of the 20th Century |
197-219 |
| Olga Panova |
Richard Wright and Fyodor Dostoevsky: Crime and Punishment as a Praetext of Native Son and The Outsider |
220-243 |
| Elena Zaitseva |
The Reception of Crime and Punishment in the Works of Vladimir Nabokov |
244-265 |
| Petr Druzhinin |
Defending Dostoevsky: The History of Dvosya Sorkina’s 1956 Dissertation |
266-289 |
| |
DOSTOEVSKY ON STAGE, IN CINEMA AND MASS MEDIA
|
|
| Andrey Nasedkin |
Problems of Theatrical and Cinematographic Reception of Demons by Fyodor Dostoevsky |
290-318 |
| |
IN MEMORIAM
|
|
| |
In Memory of Toyofusa Kinoshita (1936–2025) |
319-331 |
