| AUTHOR(S) |
TITLE |
PAGES |
| |
From the Editor
|
12-15
|
| |
HERMENEUTICS. SLOW READING
|
|
|
Elena Mazzola
|
Dostoevsky’s Theology. An Incarnated Truth: Translating a Fantastic Story
|
16-49
|
|
Vladimir Viktorovich
|
Dostoevsky. The Question of the folk
|
50-67
|
| |
POETICS. CONTEXT
|
|
|
Tatyana Kasatkina
|
Schiller in Dostoevsky’s Works: Eleusinian Mysteries in The Brothers Karamazov
|
68-98
|
|
Olga Yuryeva
|
Prince Myshkin’s Bundle: the Function of a Symbolic Detailin Dostoevsky’s Novel Тhe Idiot
|
90-111
|
|
Tatyana Magaril-Il’yaeva
|
The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured
|
112-132
|
| |
“YOUNG READINGS” IN STARAYA RUSSA
|
|
|
Viktoria Fedorova
|
Prince Myshkin’s Brides in F.M. Dostoevsky’s Novel The Idiot
|
133-139
|
| |
DOSTOEVSKY: THEORY OF ART
|
|
|
Adriano Dell’Asta
|
Between Aestheticism and Utilitarianism. The Principles of a New Logic in Dostoevsky
|
140-159
|
| |
DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES:DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES:RESEARCH METHODS
|
|
|
Aleksandr Taganov
|
F.M. Dostoevsky and M. Proust in the History of Literature in France
|
160-173 |
| |
PROBLEMS OF COMMENTARY
|
|
| Olga Dekhanova |
Reading F.M. Dostoevsky Through the Eyes of His Contemporaries. One Aspect of Modern Commentaries |
174-201 |
| |
DOSTOEVSKY ON STAGE
|
|
| Anna Gumerova, Tatyana Magaril-Il’yaeva |
“… No one has ever heard their word and voice”:Mark Rozovsky's “Ubivets (The Murderer)” |
202-208 |
|
REVIEWS
|
|
| Tatyana Kovalevskaya |
T.A. Kasatkina. “Dostoevsky as a Philosopher and Theologian:Artistic Method of Speaking”. Review
|
209-215 |
| |
SUMMARIES: CONFERENCES
|
|
| Valentina Borisova |
About the 27th International Dostoevsky Symposium |
216-223 |
