AUTHOR(S)
|
TITLE
|
PAGES
|
| |
From the Editor |
13-15 |
| |
HERMENEUTICS. SLOW READING
|
|
| Tatyana Kasatkina |
“I am a great, great sinner”: The Theology of Sin in Crime and Punishment and The Idiot |
16-30 |
| |
POETICS. CONTEXT
|
|
| Nikolay Podosokorsky |
The Legend of Rothschild as the “Napoleon of Finance” in Dostoevsky’s Novel The Idiot |
31-50 |
| Inna Gazheva |
“… While the Sun was Setting”: the Evening Light in the Works of F.M. Dostoevsky and Andrei Bely |
51-82 |
| |
DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES
|
|
| Tamara Kudryavtseva |
The Image of F.M. Dostoevsky’s Personality and Work in the Essays of the German Writer Paul Ernst (1866-1933) |
83-113 |
| Anna Gumerova |
Motifs from F.M. Dostoevsky’s Notes from the Underground in C.S. Lewis’s Works |
114-134 |
| |
PROBLEMS OF COMMENTARY
|
|
| Boris Tikhomirov |
Another Commentary from Optina Pustyn on the Novel The Brothers Karamazov |
135-145 |
| |
DOSTOEVSKY: HIS READINGS
|
|
| Valentina Sergeeva |
The Space of the Medieval Allegory: William Langland’s Vision of Piers Plowman |
146-175 |
| |
DOSTOEVSKY ON STAGE
|
|
| Tatyana Magaril-Il’yaeva |
Interview with the Actors of the Theatre of the Young Muscovites |
176-193 |
| |
REVIEWS
|
|
| Liana Dimitreva |
M. Cadot. “Dostoevsky from One Century to Another or Russia between the East and the West” |
194-200 |
| |
SUMMARIES: CONFERENCES
|
|
| Albina Bessonova, Vladimir Victorovich |
VII Summer Readings in Darovoye |
201-255 |