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AUTHOR(S)
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TITLES |
PAGES |
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From the Editor |
14-15 |
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HERMENEUTICS. SLOW READING
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| Tatyana Kasatkina |
F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action |
16-40 |
| Riley Ossorgin |
How the Inmates’ Polyphonic Play Performs the “All Creation” Icon |
41-54 |
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POETICS. CONTEXT
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| Tatyana Kovalevskaya |
The Devils, “Distortion of Ideas”, and Dostoevsky’s Artistic Principles |
55-81 |
| Carol Apollonio |
On Devils and Doors: Raskolnikov’s Ontology Problem |
82-103 |
| Denis Zhernokleyev |
Nastasya’s Revolt: Metaphysical Significance of Contrariness in Dostoevsky |
104-115 |
| Stephan Lipke |
Dostoevsky’s Ambivalent Reception of a Lutheran Tradition: The Christmas Tree and Christmas Party as a Motif in the Writer’s Stories. |
116-126 |
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DOSTOEVSKY: TRANSLATION PROBLEMS
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| Elena Mazzola |
Translation versus Commentary |
127-156 |
| Tatyana Magaril-Il’yaeva |
“The Philosophy of Translation”: F. M. Dostoevsky and H. Balzac’s novel Eugénie Grandet |
157-176 |
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“YOUNG READING” IN STARAYA RUSSA
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| Maria Alekseeva |
The Flower Motif in Dostoevsky’s novel White nights |
177-182 |
| Nadezhda Shervarly |
The Motif of Illusoriness in Dostoevsky’s Novel White Nights |
183-188 |
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DOSTOEVSKY: HIS READINGS
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| Irina Lagutina |
Goethe’s West-Oestlicher Divan: An Attempt of Interpretation |
189-217 |
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REVIEWS, INTERVIEWS: «DOSTOEVSKY ON THE CONTEMPORARY STAGE»
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| Tatyana Kasatkina |
“I Love You, Life…”: “Karamazovs” by Konstantin Bogomolov |
218-221 |
| Tatyana Magaril-Il’yaeva |
Interview with Fyodor Malyshev, actor and director at Pyotr Fomenko Workshop Theatre |
222-239 |
