| AUTHOR(S) |
TITLE |
PAGES |
| |
From the Editor |
12-13 |
| |
HERMENEUTICS. SLOW READING
|
|
| Anastasia Gacheva |
The Heritage of F.M. Dostoevsky and the Problem of Moral Interpretation of the Dogma of the Trinity in Russian Theology XIX – First Third of XX Century (Article No. 2) |
14-60 |
| Tatyana Kovalevskaya |
Fyodor Dostoevsky and America: Harriet Beecher Stowe’s Oldtown Folks and Issues of Calvinist Theology |
61-94 |
| |
POETICS. CONTEXT
|
|
| Tatiana Kasatkina |
Anagogic Story as the Specific Structure of Dostoevsky’s Early “Gnostic” Texts |
95-115 |
| |
DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES
|
|
| Anastasia Gladoshchuk |
“God on Earth”: a Mexican Reception of the Notes from the Underground |
116-127 |
| |
PROBLEMS OF COMMENTARY
|
|
| Boris Tikhomirov |
About the Genesis of Dostoevsky’s “Italian dream”: Radcliffe or Pseudo-Radcliffe? |
128-152 |
| |
TEXTUAL CRITICISM
|
|
| Natalia Tarasova |
Textual Analysis and new Facts for а History of the Text (on the Material of F.M. Dostoevsky’s Manuscripts) |
153-169 |
| |
DOSTOEVSKY: TRANSLATION PROBLEMS
|
|
| Valentina Sergeeva |
The Epigraph “from a N.A. Nekrasov’s Poem” in Some English Translations of Notes from the Underground |
170-196 |
| |
BIOGRAPHY
|
|
| Yulia Yunkhovich |
F.M. Dostoevsky’s Lawyers: from the History of the “Kumanin Process” |
197-210 |
| |
DOSTOEVSKY ON STAGE
|
|
| Vera Serdechnaya |
Stavrogin Seduces Thel: “The Book of Seraphim” by Alexander Belousov at the Stanislavsky Electrotheatre |
211-223 |