| AUTHOR(S) |
TITLE |
PAGES |
| |
From the Editor |
14-15 |
| |
HERMENEUTICS. SLOW READING |
|
| Tatiana Kasatkina |
Death, New Land, and New Nature in Dostoevsky’s Novel The Idiot |
16-39 |
| |
POETICS. CONTEXT |
|
| Ilya Vinitsky |
Maiden on Man’s Laps. From the History of Russian Rousseauism |
40-67 |
| Olga Dekhanova |
The Reflection of XIX Century Olfactory Culture in the Works of F.M. Dostoevsky. The Smell of the City on the Example of the Novel Crime and Punishment |
68-90 |
| Tatyana Kovalevskaya |
“I should have liked to be called Prince de Monbart”: On the Problem of Identifying the Reference |
91-116 |
| |
DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES |
|
| Tatiana Magaril-Il’yaeva |
Dostoevsky’s Theology in the Understanding of Berdyaev |
117-139 |
| Caterina Corbella |
Divo Barsotti: Man, God, and Christ in Dostoevsky’s Works |
140-157 |
| |
COMPARATIVE STUDIES |
|
| Vera Serdechnaya |
William Blake and F.M. Dostoevsky: a History of Comparison |
158-168 |
| Tatiana Kashina |
Felix culpa: Salvific Sin in the Play The Satin Slipper and in the Novel The Brother Karamazov |
169-179 |
| Inna Gazheva |
“A Gentle Creature” by Fyodor Dostoevsky and “The Barrier” by Pavel Vezhinov: Systematic and Comparative Reading |
180-217 |
| |
BIOGRAPHY |
|
| Boris Tikhomirov |
When was Dostoevsky’s Father Born? (Critical Analysis and Source Classification) |
218-239 |
| Tatiana Panyukova |
Dostoevsky’s Godchildren |
240-269 |
| |
CONCERNING DOSTOEVSKY |
|
| Aleksandra Banchenko |
The Poetic Concept of Art of L.F. Dostoevskaya |
270-292 |
| |
IN MEMORIAM: NIKOLAY BOGDANOV |
|
| |
Memories |
293-336 |
