| AUTHOR(S) |
TITLES |
PAGES |
| |
From the Editor
|
14-17 |
| |
MUSEUM
|
|
| Albina Bessonova, Vladimir Viktorovich |
“Why Is This About Dostoevsky?” Or On the Vicissitudes of the Restoration of Darovoe |
18-51 |
| |
HERMENEUTICS. SLOW READING
|
|
| Tatiana Kasatkina |
Crime and Punishment: How to Create a Deep Text |
52-62 |
| Liudmila Saraskina |
“Do Not Blame Anyone...” The Suicide Note as a Trait of the Character’s Image |
63-99 |
| |
POETICS. CONTEXT
|
|
| Dirk Uffelmann |
From a Rhetoric of tapeinosis and humilitas through the Tradition of Holy Fools to Dostoevsky’s Christopoetics (The Idiot) |
100-122 |
| Zhang Biange, Ren Xiaoshun |
The Spiritual Elevation Expressed by Hidden Narrative Processes in Dostoevsky’s Novel “The Eternal Husband” |
123-142 |
| |
COMPARATIVE RESEARCH
|
|
| Olga Meerson |
Crime and Punishment in War and Peace: The Counter-Chronological Etiology of the Murder-Apologia Disease |
143-157 |
| |
DOSTOEVSKY ON STAGE
|
|
| Tatiana Magaril-Il’iaeva |
“The Dream of a Ridiculous Man” in Contemporary Theatrical Productions |
159-166 |
| |
REVIEWS
|
|
| Nikolay Podosokorsky |
The Function of Introductions in Dostoevsky’s Work (About L. Bagby’s Book) |
167-179 |
| Olga Yureva |
The Return of The Adolescent |
180-209 |
| Кemаle Umudova |
Dostoevsky’s Legacy in National Cultures |
210-237 |
| |
IN MEMORIAM
|
|
| Carol Apollonio |
Remembering Deborah Martinsen |
238-240 |
| Liudmila Saraskina |
Deborah Martinsen: In Memoriam (1954-2021) |
241-245 |
| Olga Meerson |
Deborah Martinsen: In Memoriam |
246-247 |