| AUTHOR(S) |
TITLE |
PAGES |
| Tatiana Kasatkina |
Dostoevsky: Short Forms, the Principle of Complementarity, and the Jew Achilles. Who is the Hero of “The Crocodile,” and How Did Demons Begin? From the Editor |
21-30 |
| |
HERMENEUTICS. SLOW READING
|
|
| Tatyana Kovalevskaya |
Metaphysics in Notes from Underground and Translation Difficulties from Semantics to Grammar |
31-56 |
| Nikolay Kapustin |
The Poetics and Semantics of a Character’s Gaze in Dostoevsky’s Novel Crime and Punishment |
57-71 |
| |
POETICS. CONTEXT
|
|
| George Prokhorov |
Svidrigailov and Achilles the Jew: About the Poetics of One Episode |
72-89 |
| Elena Safronova |
Crocodiliada by Fyodor Dostoevsky: Genesis and Evolution of the Theme |
90-116 |
| |
TEXTUAL CRITICISM
|
|
| Natalia Tarasova |
Dostoevsky’s Draft Plan “Envy”: How Did Demons Begin? (Dostoevsky, Arthur Benni and Nechaev Court Case) |
117-164 |
| |
DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES
|
|
| Yulya Kaskina |
The Image of Rodion Raskolnikov in Ivan Shmelev’s Late Stories “Why It Happened” (1944) and “Notes of a Non-Writer” (1949) |
165-180 |
| Olga Kryukova, Maria Rarenko |
Osamu Tezuki’s Manga Crime and Punishment: Patterns and Paradoxes of Intermediality |
181-193 |
| Svetlana Kapustina |
Variants for the Continuation of the Novel Crime and Punishment in Russian-Language Fanfiction |
194-214 |
| |
DOSTOEVSKY: TRANSLATION PROBLEMS
|
|
| Liudmila Karpenko |
Concepts of State in the Novel Crime and Punishment: Problems of Intercultural Translation of Fyodor Dostoevsky’s Artistic Language |
215-253 |
| |
SUMMARIES, REVIEWS
|
|
| Nikolay Podosokorsky |
Summary of the 2nd International Online Conference “The Book in the Book,” in Memory of Alexander V. Mikhailov (1938–1995), October 1–3, 2024 |
254-266 |
| |
BIBLIOGRAPHY
|
|
| |
Bibliographical Index of the Works of Valentina V. Borisova, 1976–2024 |
267-287 |
